1/10/2024 0 Comments Worktime sonny rollins allmusicFans of these recordings no doubt already have them on CD these versions do not contain the bonus material of later remastered editions and are presented for a budget price. The final two recordings, Tenor Madness and Saxophone Colossus, were both issued on Prestige, and cut in 1956. Disc two, oddly enough, features Work Time (Prestige, 1955) and Sonny Rollins (Blue Note, 1956) disc three contains the fine Sonny Rollins Plus Four date from 1956 for Prestige and is compiled with Sonny Rollins, Vol. Disc one contains Moving Out and Tour de Force, both recorded for Prestige in 19, respectively. In a seven-decade career, he has recorded over sixty albums as a leader. The then Young Lion leads dates with personnel ranging from Max Roach and Clifford Brown to Donald Byrd and Thelonious Monk and even John Coltrane. Walter Theodore 'Sonny' Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. Funky Hotel Blues (S.This is an interesting collection of the European Real Gone Jazz imprint, pairing eight albums by Sonny Rollins on four discs, all of them recorded between 19 - six from Prestige alongside his first two self-titled outings from Blue Note. It Could Happen to You (Burke-Van Heusen) 9. Toot, Toot, Tootsie (Kahn-Erdman-Fiorito-King) 4. The Last Time I Saw Paris (Kern-Hammerstein) 2. Personnel: George Morrow (bass) Max Roach(drums) Ray Bryant (piano) Sonny Rollins (tenor saxophone) There Are Such Things (Meyer-Adams-Baer) 5. There's No Business Like Show Business (I. The Jazz Journalists Association has nominated The Colossus for an award this year.įor more information, please visit Fantasy Records. The saxophonist blows with plenty of broad and deep sounding swing in "Toot, Toot, Tootsie, "Ev'ry Time We Say Goodbye, and "Dearly Beloved. They both manage to walk the walk in rather uncharacteristic ways till the exquisite tonguing coda by Rollins. Check out his performance in "What is There to Say? along with that of Chambers. The latter has a greater role in this production than Bryant had in the previous one. This time, Percy Heath and Paul Chambers were the bassists, Roy Haynes was on drums and the pianist was Sonny Clark. Rollins level of comfort seems higher too, although there also seems to be a lesser sense of immediacy or urgency to his performances. The rhythmic interplay is smoother-sounding and played. It is less heated.although plenty hot as in "Just in Time. The remastered The Sound of Sonny differs in many respects from Worktime. As Rollins says at its outset: "Okay fellows. Bryant and Morrow, however, also get a few bars of their own whereupon they complement the leader's outstanding performance. He could have played this one all by himself and probably attain similar results. It gets down to hard swinging without sacrificing thinking. In the most extended cut, Rollins sounds larger than life infusing romance with sensual tonal and harmonious rhythmic strength as he expounds on the melody. This is jazz, Jim It runs deep emotionally. Indeed, the aforementioned is truly exceptional. The date, with the exception of "There Are Such Things, is cooking. Roach's cymbal ride is infectious nonetheless. The leader, however, evidences a superior sound, technique, and attack unimpeded by its velocity. Cole Porter's "It's All Right With Me becomes a swift hard-bop medium for Bryant, Rollins and Roach's superbly timed, executed and conceived soli. Although much has been made of Roach's playing in this recording.and rightly so.both Bryant and Morrow hold their own in fine fashion too. Worktime has bassist George Morrow, drummer Max Roach and pianist Ray Bryant accompanying a revitalized Rollins. The earliest of the two finds Rollins wondering whether he could perform after kicking his heroin habit, signalling his return to the jazz scene after rehab the latter has the saxophonist fully pursuing his musical beliefs, with his previous fears already allayed. The following recordings represent stations in the mid-50s.-as vital a period in Sonny Rollins' career as any as much of his reputation was built upon this period.
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